On May 27th & 28th, 2022 The Bentway’s season kicks-off with The Street Summit, a two-day event hosted at The Bentway’s Strachan Gate that challenges traditional understandings of city streets and asks how we can create a more inclusive, equitable, and joyful public realm.

Equal parts conference, workshop, artistic intervention, and celebration, this free public event assembles local and international neighbours, urbanists, designers, researchers, city-builders, and artists alike to collectively explore these familiar arteries and their potential for broader social, cultural, and political transformations. 

Panels, presentations, and performances will feature guests including: “Hip Hop Architect” Michael Ford; the Commissioner of Chicago Department of Transportation, Gia Biagi; a creative partnership with New York-based WXY Studio; Councillor Kristyn Wong-Tam; Dane Gardener-Williams; Hayden King; Susan Blight; Adam Nicklin of PUBLIC WORK; a panel discussion on the renewal of our city’s streets presented in partnership with Doors Open Toronto; and a social event on Friday night featuring a hip hop/breaking battle with MC Switch B.

Interactive and drop-in workshops for participants of all ages include a pop-up exhibition of Myseum of Toronto’s 36 Questions That Lead to Loving Toronto; an exploration of the various flavours of street food across the city led by Tasha Shea and Howard Tam; a participatory roundtable focused on community care and mutual aid, led by Chemi Lhamo and Miru Yogarajah; a facilitated conversation on the subtle language of queer sexuality in urban ecologies guided by The Bentway Public Space Fellow Jess Misak and artist Maximilian Suillerot Wilke; and a workshop that unravels the processes and tools that define street and place-names, led by Bespoke Collective and The Bentway Public Space Fellow, Faizaan Khan.

ASL interpretation provided by Toronto Sign Language Interpreter Service.  

Registration is encouraged!

Schedule of Events

Join us for the opening of the second day of The Street Summit, featuring remarks from the President and CEO of Canadian Urban Institute, Mary Rowe, and a land acknowledgement from Philip Cote.

Mary Rowe

Mary W. Rowe is a leading urban advocate and civil society trailblazer who has worked in cities and with communities across Canada and the United States. Mary was President of the Canadian platform Ideas That Matter, a convening and publishing program based on the work of renowned urbanist Jane Jacobs, when a mid-career fellowship with the US-based blue moon fund led her to New Orleans. There she worked with national philanthropy, governments, and community activists to support rebuilding through micro-investments in neighbourhood projects for seven years in the aftermath of Hurricane Katrina. Prior to joining CUI as President and Chief Executive Officer, Mary lived in New York City and served as Executive Vice President of the Municipal Art Society (MASNYC), one of America’s oldest civic advocacy organizations focused on the built environment.

Mary is a frequent contributor to national and international city-building programs, including UN Habitat, the Massey City Summit, The Art of City Building, and the World Urban Forum. She is a frequent media commentator and writer. Under Mary’s leadership, CUI has expanded its work to include an international network from government, industry, community, and city-building professions to advance research and collaborate on solutions to some of our greatest urban challenges. This includes Bring Back Main Street, COVID Signposts, CityWatch, and CityShare, the engagement of several senior fellows to incubate ground-breaking projects in Canada, and the development of CUI x Local, a series of virtual residencies in cities across Canada, to learn from on-the-ground practitioners about what’s working and what’s not, and to share learnings and build opportunities for collaboration between cities. Mary is also the facilitator of BiCEP—an alliance of senior executives leading some of Canada’s most significant urban regions, for which CUI is the secretariat.

Mary is a Senior Fellow with Shorefast, a national charity focused on building community economies, and the creator, executive producer, and host of CityTalk, a regular virtual discussion featuring a diverse line-up of leading and emerging voices on the most pressing issues of the day.

Philip Cote

Philip Cote is Shawnee, Lakota, Mississauga, Potawatomi, Ojibway, Algonquin and Mohawk. Philip is a Sundancer, Pipe Carrier and Sweat Ceremony Leader Medicine keeper. Philip’s spirit name is (Noodjmowin) “The Healer” Misko-gayaashk “Red-Seagull” and he is a member of the Falseface society and Eagle Society.Philip is an Indigenous historian mixing the oral and western histories of Toronto covering the last 13,500 years and as far back as 130,000 years and beyond as far back as two Ice Ages. He is an Indigenous Artist, Activist, Traditional Wisdom Keeper & Historian Since 2005 he has also been a tour guide with “First Story”, providing an Indigenous history of Toronto covering the last 13,500 years.

Presented in partnership with Doors Open Toronto

What happens when you combine Hip Hop Culture with architecture? Join us as leaders of The Hip Hop Architecture Camp walk us through some of their most exciting collaborations where Hip Hop elements are used as a foundation for architecture, urban planning, and design. Explore how Hip Hop draws from the culture of the street, and can help shape the street’s future.

Michael Ford

Michael Ford, AIA Assoc. is a designer, born and raised in the city of Detroit. Ford received his Masters of Architecture degree from the University of Detroit Mercy (UDM), where he completed his graduate thesis titled “Hip Hop Inspired Architecture and Design.” He has worked as a designer at Hamilton Anderson Associates located in Detroit, Mich. and as an adjunct professor at his alma mater. Ford has also worked as a designer at Flad Architects located in Madison, Wisc.

Ford has spent the past decade working to blur the lines between professional practice and academia. He is dedicated to stimulating cross-disciplinary discourse between practitioners and residents on the sociological and cultural implications of architecture and urban planning on its inhabitants. More specifically, Ford has unveiled the subconscious roles of historical architectural figures such as LeCorbusier in envisioning the built environments which necessitated the birth of hip hop culture.

Ford’s Hip Hop Architecture research has been published in a variety of places including FastCo Design, Blavity, The Fader, CityLab, and Vibe Magazine. Along with these publications Ford has been a guest lecturer at several universities including the University of Illinois Urbana – Champaign, University of Detroit Mercy, UPenn, and Carnegie Mellon University.

Michael Ford was invited to keynote the 2017 American Institute of Architects National Conference on Architecture and he delivered the keynote at 2016 SXSW Eco Conference. Through his years of research, publications, and lectures, Michael Ford is recognized in the architectural and hip hop communities as a galvanizer and pioneer of a new era of architectural practitioners. Currently, Ford is an instructor in the architecture program at Madison College, and Co-Founder of The Urban Arts Collective, where he created and conducts The Hip Hop Architecture Camp™ with the mission to increase the number of minorities in architecture and urban planning.

Woodrow Hoffer II

Woodrow Hoffer II is a designer, community activist, and instructor, born and raised in metropolitan Detroit. He received his Masters of Architecture degree from the University of Detroit Mercy in 2006, while completing a Summer abroad at Istituto Statale D’arte Volterra, in Volterra, Italy. He has spent both his professional and personal career dedicated to inspiring the next generation of architects, activists, athletes, and leaders. His work with the internationally respected Hip Hop Architecture Camp, engages youth to explore the synchronicity between architecture and Hip Hop culture and music that was born out of the failures of the built environment. 

Mutual aid and community organising are fundamental for a community to thrive, and as Ontario’s housing crisis continues to intensify, this work is ever more urgent. Parkdale People’s Economy (PPE) is a network of over 30 community-based organisations that collaborates to build decent work, shared wealth, and equitable development in Parkdale. For The Street Summit, Miru and Mercedes Sharpe-Zayas from PPE shares their strategies for organising with place-based practices. These essential actions will inform this participatory roundtable workshop and reveal the future of street design centred on community care.

Miru

Miru is a filmmaker, writer, and Community Benefits Organizer at Parkdale People’s Economy. Their works have been produced by National Film Board of Canada, premiered at the 2020 Inside Out Film Festival, 2020 Regent Park Film Festival and premiered at the 2021 F-O-R-M Film Festival. They received their Masters of Public Policy degree from the University of Toronto in 2019 and before that, they double-majored in Ethnic Studies, Political Science, and Liberal Arts Honours.They were selected for the Emerging 20 program through Reelworld Film Festival and a 2021 Local fellow. They have written on inequities reproduced through algorithms, the failures of the Employment Insurance system in Canada, the impacts of gentrification in East Austin and Vancouver, as well as xenophobic immigration policies. They have words in Briarpatch Magazine, GUTS Magazine, LOGO TV, and many more.

Ana Teresa Portillo

Ana Teresa Portillo (She/They) works as the Community Benefits Coordinator with the Parkdale People’s Economy, a network of 30+ community organizations and hundreds of community members working towards decent work, equitable development and shared wealth. Her experience in anti-oppressive intersectional transformative theory and practice grounds her community organizing in tenant rights, equitable development, community safety and mutual aid. Ana Teresa is a PhD candidate in Social and Political Thought at York University with interests in anti-racist feminisms, post-colonial theory and place based transformative politics. She is also a member of the Power Lab, a collective of organizers building economic and democratic power within persistently excluded and racialized communities.

Mercedes Sharpe-Zayas

Mercedes Sharpe Zayas is a community planner committed to movement building and economic justice in the urban form. Mercedes has been cultivating her participatory planning practice for the past five years as the Planning Coordinator for the Parkdale People’s Economy, a network of over 30 community-based organizations and hundreds of community members organizing towards decent work, shared wealth, and equitable development in Parkdale. She has also worked as a Policy Research Intern at the City of Toronto’s Economic Development and Culture Division, a Research Assistant for the Metcalf Foundation’s Inclusive Local Economies Program, and a Graduate Research Assistant with The Public Studio. She holds a Master of Science in Urban Planning from the University of Toronto and a Bachelor of Arts in Honours Anthropology from McGill University.

In a creative collaboration between Christina Bagatavicius and Alia Rasul of Bespoke Collective and Bentway Public Space Fellow Faizaan Khan, this workshop will unravel the processes and tools that define public place-names. By interrogating the Bentway’s own name and the campaign that created it, we will take a journey together to uncover what stories were left behind and how the process of naming can better shape our understanding of our city, our streets, and ourselves.

Christina Bagatavicius

Christina Bagatavicius is the creative force behind Bespoke Collective, a forward-looking consultancy started over a decade ago that resides at the intersection of culture, public good, and the future. She is deeply invested in making lasting positive change through the arts, city-building, and creative well-being. In 2016, Christina worked on the naming of Project: Under Gardiner, now known as The Bentway, which was a citywide, community-based outreach campaign engaging Torontonians in naming the space underneath the Gardiner. Since this project, Christina has led a series of naming processes for public spaces and she is continually questioning the power that names hold and how we can design better processes that are rooted in community. Current clients include: the Toronto Biennial of Art, Ontario Place, Waterfront Toronto, Indigenous Fashion Arts, and Sinai Health System.

Alia Ceniza Rasul

Alia Ceniza Rasul is a process-driven project manager known for her resourcefulness and creative problem-solving. She is responsible for the day-to-day management for key projects and increasingly has played a vital role in shaping Bespoke’s public engagement work. To date, she has successfully delivered a range of projects for core clients that include: Waterfront Toronto, Sidewalk Labs, the City of Toronto, and PASAN. 

Before joining Bespoke, Alia was the Inclusion Director at Bad Dog Theatre, where she led the development of the inclusion and diversity framework within the performing arts. She is currently the project lead for “Our Cities on Our Stages”, Bad Dog’s annual inclusion and diversity symposium (community engagement). Alia is a Canadian Comedy Award nominated writer and performer and has a burgeoning career in comedy and theatre. She earned her B.A. from McGill University in Economics and Psychology and was raised in Dubai.

Faizaan Khan

Faizaan Khan is an emerging city-builder with a background in design and non-profit programming. Their work prioritises a multidisciplinary, empathy-driven approach which has led to their involvement in a diversity of projects, including public art, heritage interpretation master plans, and youth-focused education programs. Faizaan takes a keen interest in urban data, built heritage, and suburban placekeeping, which he views as integral aspects of critical city-building practice in Toronto.

Since graduating from the University of Toronto with a Bachelor of Arts in the Technology of Architecture, Landscape, and Urbanism, Faizaan has worked as a Program Coordinator at Evergreen, supporting design-thinking programs like the Future City Builders and Housing Supply Challenge Support Program. When not at work, you’ll probably find Faizaan people-watching on the subway.

Presented by The Hip Hop Architecture Camp

Join Michael Ford and Woodrow Hoffer II from The Hip Hop Architecture Camp to creatively convert Hip Hop music from your favourite Toronto artists into your own Architecture. During this workshop you will analyse lyrics, extracting rhyme schemes and patterns which can then be used as you create your own street installation under The Bentway.

Michael Ford

Michael Ford, AIA Assoc. is a designer, born and raised in the city of Detroit. Ford received his Masters of Architecture degree from the University of Detroit Mercy (UDM), where he completed his graduate thesis titled “Hip Hop Inspired Architecture and Design.” He has worked as a designer at Hamilton Anderson Associates located in Detroit, Mich. and as an adjunct professor at his alma mater. Ford has also worked as a designer at Flad Architects located in Madison, Wisc.

Ford has spent the past decade working to blur the lines between professional practice and academia. He is dedicated to stimulating cross-disciplinary discourse between practitioners and residents on the sociological and cultural implications of architecture and urban planning on its inhabitants. More specifically, Ford has unveiled the subconscious roles of historical architectural figures such as LeCorbusier in envisioning the built environments which necessitated the birth of hip hop culture.

Ford’s Hip Hop Architecture research has been published in a variety of places including FastCo Design, Blavity, The Fader, CityLab, and Vibe Magazine. Along with these publications Ford has been a guest lecturer at several universities including the University of Illinois Urbana – Champaign, University of Detroit Mercy, UPenn, and Carnegie Mellon University.

Michael Ford was invited to keynote the 2017 American Institute of Architects National Conference on Architecture and he delivered the keynote at 2016 SXSW Eco Conference. Through his years of research, publications, and lectures, Michael Ford is recognized in the architectural and hip hop communities as a galvanizer and pioneer of a new era of architectural practitioners. Currently, Ford is an instructor in the architecture program at Madison College, and Co-Founder of The Urban Arts Collective, where he created and conducts The Hip Hop Architecture Camp™ with the mission to increase the number of minorities in architecture and urban planning.

Woodrow Hoffer II

Woodrow Hoffer II is a designer, community activist and instructor, born and raised in metropolitan Detroit. He received his Masters of Architecture degree from the University of Detroit Mercy in 2006, while completing a summer abroad at Istituto Statale D’arte Volterra, in Volterra, Italy. He has spent both his professional and personal career dedicated to inspiring the next generation of architects, activists, athletes and leaders. His work with the internationally respected Hip Hop Architecture Camp, engages youth to explore the synchronicity between architecture and Hip Hop culture and music that was born out of the failures of the built environment. 

Presented in partnership with Toronto Society of Architects and Doors Open Toronto

Our cities are at a turning point. The last two years have laid bare many of the social, cultural, and economic inequalities, injustices, and imbalances deep-seated into our institutions and structures. The climate crisis continues to accelerate, affecting not only humans but all living creatures. Change is necessary. We must reconsider our relationships with our built environment, our streets, our heritage and history, and natural systems—renewing existing relationships and forging new ones. We know business as usual will not deliver the just and equitable city we are striving for. But how do we translate our aspirations into the built environment and shape our future public spaces?

On this return of Architects Talk, The Bentway, Doors Open Toronto, and The Toronto Society of Architects, invite 5 speakers to share with us the work that must be done to close the gap between the city we have and the one we desire.

Stefan Novakovic

Stefan Novakovic is a Toronto-based writer and editor specialising in architecture and urbanism. Formerly a Senior Editor at Azure Magazine, Stefan was previously Associate Editor at Canadian Architect, and an Assistant Editor at UrbanToronto.ca. His writing has also appeared in a wide range of publications, including Canadian Interiors, Designlines, Building Magazine, the New York Review of Architecture, the McGill International Review and Torontoist.

Stefan’s journalism and research focuses on architecture and urban geography, exploring the public dynamics of the architectural profession, as well as architecture’s role in shaping the human and economic geography of North America. Recently, his work has focused on mid-century social housing, urban land use and the evolving “spatial fix” of capitalism, investigating the role of e-commerce in transforming suburban landscapes. 

Stefan has also appeared as a speaker at the Architecture and Design Film Festival, Toronto’s Interior Design Show, the Ontario Association of Architects Conference, the University of Toronto Munk School’s Walter Gordon Symposium on Public Policy, and Architect@Work International. He has also presented original research at the 46th Society for the Study of Architecture in Canada Conference. He is the winner of a Canadian National Magazine Award (B2B) and a Canadian Online Publishing Award. 

Tura Cousins Wilson

Tura Cousins Wilson is an architect from Toronto and co-founder of the Studio of Contemporary Architecture (SOCA). He is a licensed architect in Ontario and the Netherlands and also a founding member of BAIDA. Tura’s professional experience spans a variety of scales including multi-unit residential, large-scale mixed-use developments, libraries, and urban design. Tura has been working with community groups to address the challenges and opportunities of building a vibrant Little Jamaica neighbourhood in Toronto and recently co-wrote a report: A Black Business Conversation – On Planning for the Future of Black Businesses and Residents on Eglinton Avenue West.

Lorraine Johnson

Lorraine Johnson is the author of many books on gardening with native plants and creating habitat in yards, balconies, boulevards, community gardens and other public spaces. Her books include 100 Easy-to-Grow Native Plants for Canadian Gardens; Grow Wild!; The New Ontario Naturalized Garden; and Tending the Earth, among other titles. Her most recent book, co-authored with Sheila Colla, is A Garden for the Rusty-Patched Bumblebee: Creating Habitat for Native Pollinators, and is coming out this spring. A long-time cultivation activist and urban agriculture advocate, Lorraine is active in efforts to reform grass and weeds bylaws in support of biodiversity.

Graeme Stewart

Graeme Stewart OAA FRAIC CIP RPP CAHP is Principal of Toronto-based ERA Architects, a founding director of the Centre for Urban Growth and Renewal, and the key initiator of the Tower Renewal Partnership, a cross-sectoral collaborative supporting policy and action toward more equitable and resilient urban regions including affordable housing renewal, green financing, and community reinvestment. .

Selina Young

Selina Young is Métis from northern Saskatchewan. She has been a guest on Anishnawbe and Haudenosaunee territory in and around Toronto her whole life. Selina is passionate about the outdoors and spends hours running and walking through local urban parks along the Credit River and Lake Ontario. 

She has over 25 years’ experience in public service, having worked for governments in Ontario, Canada and Scotland and is currently the Director of the Indigenous Affairs Office at the City of Toronto.

She has volunteered throughout her life most recently as a Board Member for Katimavik and a member of the Toronto Public Library’s Indigenous Advisory Council.

At the end of our two-day Summit, we’ll be joined onstage by Paddy Harrington, Founder of Frontier. Throughout the Summit Frontier will have been creating Live Magazine, a digital, interactive publication synthesising our key findings, and Paddy will share some of the highlights for you from the Mainstage.

Paddy Harrington

Paddy Harrington is the founder of Frontier, a design office focused on collaborations, media, and products with a philosophy of purpose-driven performance. After earning degrees in literature and architecture, he has worked for nearly twenty years in research, architecture, advertising, and design. He has collaborated with PepsiCo, MaRS, Unilever, The National Arts Centre, Electronic Arts, the Holy City of Mecca, and the Fogo Island Inn in Newfoundland, among many other clients. He is an award-winning writer and filmmaker and has spoken at several design conferences as well as at Brown University, Harvard University, and the Central Academy of Fine Arts in Beijing. Paddy is formerly the SVP Design Innovation and Digital Creative Director at Indigo Books and, prior to that, Executive Creative Director at Bruce Mau Design.

Presented by Myseum of Toronto.

How do you build closeness with your city and those you share it with? 

36 Questions That Lead to Loving Toronto: Bentway Edition is a pop up experience that invites Torontonians to explore the commitment we have to the city and to each other. Based on a psychological study by Arthur Aron (and others) and popularized by the New York Times article “The 36 Questions That Lead to Love”, Myseum asks a series of questions that explore civic love. 

Join us at The Bentway to share your answers, while deepening connections with loved ones, friends, and neighbours. 36 Questions: Bentway Edition will feature questions about Toronto streets, as part of The Bentway’s Street Summit. Get deep, have fun, be brutally honest about what you love or hate (and everything in between) about our city streets. Ignite the spark to fall in love with Toronto for the first time, or all over again. 

36 Questions: Bentway Edition is a pop-up version of 36 Questions That Lead to Loving TO exhibition at the Myseum Space (401 Richmond St. W. LL01), on until October 9, 2022. To learn more visit myseumoftoronto.com. 

With a little imagination, the street can become a canvas for creative intervention. In a new public artwork by Raquel Da Silva, and created in partnership with New York-based WXY Studio, we invite you to see our own street anew. Available to view throughout both days of the Summit, this work encourages you to consider the ways in which our streetscape can be transformed through the power of art and creativity.

Raquel Da Silva

Raquel Da Silva is a visual artist and designer based in Toronto, Canada. She graduated from OCAD University with a BFA in 2020. Raquel’s work is focused on creating abstract environments and exploring how cultural stories and mythologies are embedded into contemporary culture. Selected exhibitions include Ja Senti, Vai Nascer by PADA Gallery and Residency in Lisbon, Portugal, and An Index presented by Museum of Contemporary Art, Toronto. 

Presented by National Film Board 

In partnership with the National Film Board of Canada, The Bentway’s Street Summit presents a series of family-friendly short films offering creative, educational, and entertaining views of our streets across space and over time, including how we interact with them and how they shape our cities

This summer at The Bentway Mia & Eric and Action Hero are cutting up Toronto’s entire ‘Municipal Code for the Use of Streets and Sidewalks’ and rearranging the words into a new set of speculative actions, permissions, and proposals for the future of the city. You are invited to rewrite and submit your very own Future Perfect by-law. These new Future Perfect by-laws will appear on billboards around Toronto between May and August.

Learn more at futureperfectbyelaws.com

Through a coordinated effort with the City, The Bentway is developing an Under Gardiner Public Realm Plan (Under Gardiner PRP) which will build upon the Gardiner Rehabilitation project and the larger waterfront revitalization. The plan aims to reintroduce the Under Gardiner corridor as an essential part of Toronto’s downtown public realm. 

Members of the public are invited to learn more about this ongoing work and contribute their thoughts, ideas, feedback, and stories to inform the next stage of the planning process. 

Stop by to chat about the opportunities, constraints, and priorities that will give definition to the public space below our iconic elevated expressway. 

Live Magazine will be at The Street Summit! Live Magazine is a digital publication by the design studio Frontier, who will attend the event and create multimedia stories about its most stimulating ideas and conversations. Frontier will also become part of the proceedings, building a pop-up space to talk with attendees, gather on-the-spot reactions, and create and sell limited-run objects. Each issue is published online during the event, giving immediate context and insight that becomes a lasting artifact. Come say hi at The Street Summit and add your voice to this issue.

This issue goes live May 27 and will be updated during, and following, the Street Summit. Read it at livemagazine.ca/bentway and learn more about Frontier at frontier.is.

On May 27th & 28th, 2022, The Bentway’s season kicks-off with The Street Summit, a two-day event hosted at The Bentway’s Strachan Gate that challenges traditional understandings of city streets and asks how we can create a more inclusive, equitable, and joyful public realm.

Equal parts conference, workshop, artistic intervention, and celebration, this free public event assembles local and international citizens, urbanists, designers, researchers, city-builders, and artists alike to collectively explore these familiar arteries and their potential for broader social, cultural, and political transformations. 

Panels, presentations, and performances will feature guests including: “Hip Hop Architect” Michael Ford; the Commissioner of Chicago Department of Transportation, Gia Biagi; a creative partnership with New York-based WXY Studio; Councillor Kristyn Wong-Tam; Dane Gardener-Williams; Hayden King; Susan Blight; Adam Nicklin of PUBLIC WORK; a panel discussion on the renewal of our city’s streets presented in partnership with Doors Open Toronto; and a social event on Friday night featuring a hip hop/breaking draft with MC Switch B.

Interactive and drop-in workshops for participants of all ages include a pop-up exhibition of Myseum of Toronto’s 36 Questions That Lead to Loving Toronto; an exploration of the various flavours of street food across the city led by Tasha Shea and Howard Tam; a participatory roundtable focused on community care and mutual aid, led by Chemi Lhamo and Miru Yogarajah; a facilitated conversation on the subtle language of queer sexuality in urban ecologies guided by The Bentway Public Space Fellow Jess Misak and artist Maximilian Suillerot Wilke; and a workshop that unravels the processes and tools that define street and place-names, led by Bespoke Collective and The Bentway Public Space Fellow, Faizaan Khan.

ASL interpretation provided by Toronto Sign Language Interpreter Service.  

Registration is encouraged!

Schedule of Events

Welcome to the Street Summit! To kick off the day, join us for remarks from The Bentway’s Co-Executive Director’s Ilana Altman and Dave Carey, and a Land Acknowledgement from Philip Cote. 

Ilana Altman

Ilana Altman is a cultural planner and designer who has a background in art and architecture. In her role as Co-Executive Director of The Bentway she works with the community to implement innovative and engaging programming, revealing new possibilities for public space and cultivating the best visitor experience possible.

Prior to joining The Bentway team, Ilana worked for a number of notable design firms including Studio Daniel Libeskind and Diller Scofidio + Renfro in New York and KPMB Architects in Toronto. She has led the curation and design of exhibitions and installations at the SFMOMA, the Museum of Arts and Design in New York, and the Art Gallery of Ontario. Additionally, she has worked closely with artists to realize public art installations for Toronto’s Nuit Blanche. In 2014 Ilana founded the Artful City, a Toronto collective that aims to advance public art research, policies, and imaginations. Additionally, Ilana founded and served as the Executive Director of the Pavilion Project from 2015-2017.

Dave Carey

Dave Carey is a city animator with a background in public affairs, storytelling, and fundraising. As Co-Executive Director, he builds curiosity, trust, and support of The Bentway through a growing family of audiences, champions, and partners, while ensuring that the organisation remains on budget and on brand.

He joined The Bentway team in 2017 as Director of Development. Dave worked for most of his career at the Toronto International Film Festival (TIFF), most recently as Director of Government Relations & Philanthropy. During a formative period of growth for TIFF, his fondest achievements include the Festival’s pedestrianization of King Street, the acquisition of key 35mm film collections, the opening of TIFF Bell Lightbox, and the launch of several filmmaker development initiatives.

In 2018, Dave joined the Toronto Arts Council’s Cultural Leaders Lab, a leadership development program for arts professionals who have demonstrated the potential to drive change in the sector. He is a yogi, a poet, a cyclist, and an ally. Dave sits on the Board of East End Arts and lives on the East Danforth.

Philip Cote

Philip Cote is Shawnee, Lakota, Mississauga, Potawatomi, Ojibway, Algonquin and Mohawk. Philip is a Sundancer, Pipe Carrier and Sweat Ceremony Leader Medicine keeper. Philip’s spirit name is (Noodjmowin) “The Healer” Misko-gayaashk “Red-Seagull” and he is a member of the Falseface society and Eagle Society.Philip is an Indigenous historian mixing the oral and western histories of Toronto covering the last 13,500 years and as far back as 130,000 years and beyond as far back as two Ice Ages. He is an Indigenous Artist, Activist, Traditional Wisdom Keeper & Historian Since 2005 he has also been a tour guide with “First Story”, providing an Indigenous history of Toronto covering the last 13,500 years.

Launching The Street Summit and the summer-long season of public art to follow, this discussion will focus on the key role artists play in shaping our understanding of the street. Featuring a selection of the STREET season’s creative partners, this conversation will bring together a constellation of unique artistic practices that have a long-time engagement with these arteries, and touch on themes of street equity, Anishinaabe self-determination, intergenerational collaboration and empowerment, and more while deepening our connections to the programming that will activate The Bentway from May-August.

Anna Gallagher-Ross

Anna Gallagher-Ross (she/her) is a curator and writer working across performance, dance, and visual arts, with an emphasis on site-specific and socially-engaged practices. Currently, she is the Senior Manager of Programming at The Bentway. From 2017-2021, Anna was Co-Artistic Director & Curator of Fusebox Festival, the acclaimed international performance festival, which features interdisciplinary artists from Austin, the U.S., and around the world. At Fusebox, Anna also curated year-round performances, artist residencies, public art projects, and civic initiatives. In 2020, Anna was a guest curator at Performance Space Sydney’s Live Works Festival. Prior to Fusebox, Anna’s work in the arts sector spanned community arts organisations and large-scale museums and theatres in Canada and the U.S.

Virginia Antonipillai

Virginia Antonipillai is the Creative Producer & Operations Coordinator at Mammalian Diving Reflex and holds a BA in Communication Studies from McMaster University. Virginia began collaborating with Mammalian when she was 14-years-old as a co-creator and performer in all of Young Mammals activities. Virginia has toured with Mammalian to various cities to produce, direct and write projects and facilitate workshops about youth engagement. She led Mammalian’s recent audio project, It’s Been A While, commissioned by the City of Toronto’s Museum and Heritage Department, overseeing both the logistical production end of things as well as running the interviews with the children, editing the audio, and supervising the scoring.

Emmet Outlaw

Emmet Outlaw is a multidisciplinary community artist with a focus on digital/augmented reality. They are an inaugural member of SKETCH and have worked in the homeless sector for over 20 years as an outreach worker and most recently as a member of a multidisciplinary outreach team. Their community practice focuses on legacy works, storytelling, education, and transformative collaboration. They are committed to exploring and elevating the vibrancy, resilience, and complexities of street culture.

Susan Blight

Susan Blight (Anishinaabe, Couchiching First Nation) is an interdisciplinary artist working with public art, site-specific intervention, photography, film, and social practice. Her solo and collaborative work engages questions of personal and cultural identity and its relationship to space. Blight is co-founder of Ogimaa Mikana and a member of the Indigenous Routes artist collective. She is currently a Ph.D. candidate in Social Justice Education at UofT, the Ontario Institute for Studies in Education (UofT), Delaney Chair in Indigenous Visual Culture at OCAD University, and an Assistant Professor in the Faculty of Arts & Science.

Hayden King

Hayden King (Anishinaabe, Beausoleil First Nation on Gchi’mnissing) is the executive director at Yellowhead Institute at X University in Toronto, Ontario. King has taught at McMaster and Carleton Universities as well as the First Nations Technical Institute, held senior fellowships at Massey College and the Conference Board of Canada, and served in senior advisory roles to provincial and First Nation governments and Inuit organisations. He is the co-founder of the language-arts collective Ogimaa Mikana Project and co-host of the Red Road Podcast. His writing, analysis, and commentary on Indigenous politics and policy is published widely.

Michael Lee Poy

Michael Lee Poy is an Assistant Professor at OCAD University and an Afro-Caribbean artist/designer/activist/architect from Trinidad and Tobago and Canada. His practice and interests are centred on post-colonial Caribbean design and fabrication in the festival arts – especially Carnival. A graduate of Pratt Institute of Technology in architecture (B. Arch.) and the Yale Graduate School of Architecture, Environmental Design (MED), Michael aims to use interdisciplinarity to augment the innovative, creative, and collaborative process of design. For the past 5 years, Michael has been incubating the Moko Jumbie Mas Camp workshops for children aged 7-17. The masquerade (mas) camps are designed and implemented as socially conscious design/build and fabrication/studio/lab workshops.

Bringing together voices from some of Toronto’s most visionary public realm projects, Dream Streets questions how we design our streets for a contemporary city, how we balance mobility and social needs, and how the streets of our city can connect us in more ways than one. As Toronto grows, these projects demonstrate the possibilities for reimagining existing infrastructure and the impact these new arteries will have on surrounding communities. This discussion will navigate the cultural, functional, and accessible futures for our city’s streets and beyond.

Sam Carter-Shamai

Sam Carter-Shamai is an urban planner with a love for the unexpected and overlooked opportunities that cities have to offer. As a planner Sam applies an inquisitive and critical approach, seeking to work with communities through direct engagement and participatory interventions to demonstrate viable solutions for complex urban challenges. Sam draws on a broad skill set informed by a multidisciplinary background in planning, cultural geography, photography, and collaborative design facilitation. Sam is currently the Under-Gardiner Public Realm Plan Lead for The Bentway and serves on the Board of the Neighbourhood Land Trust.

Dane Gardener-Williams

Dane developed a strong sense of devotion for the nonprofit sector when living in Edmonton; he joined the executive committee of the Kinsmen Club of Edmonton. There he fell in love with community development and creating initiatives to meet the greatest needs of the community. He is currently the Vice Chair, Black Urbanism TO and Co-Founder of Black Urbanism TO.

He engages with Black communities in re-envisioning their neighbourhoods to support social, economic, and cultural advancement. He works with the Black Urbanism TO team to develop programs and frameworks to implement the community informed vision; and advocate for the needs of the community, by providing recommendations to relevant decision-makers and ensuring that impactful dialogue ensues between Black communities and those who desire to shape the neighbourhoods that we call home.

Adam Nicklin

Adam Nicklin is a principal and co-founder of PUBLIC WORK, a Toronto-based design studio whose work focuses on the intelligent evolution of contemporary cities by reconsidering the relationship of civic infrastructure, landscape, architecture, context, and experience.

Adam’s career has been inspired by the opportunity to remake streets as viable contributions to broader civic open space systems. Projects have included the transformation of Eglinton Avenue for the Crosstown; the visioning of the future street network and open space systems of the Toronto Port Lands; the implementation of a new network of streets along the Port Credit waterfront, and the transformation of University Avenue.

Adam and the team at PUBLIC WORK are currently engaged on the next phase of Queens Quay and Cherry Street in the vicinity of the Don River valley, reimagining these iconic Toronto waterfront transit streets with an immersive and dynamic ecology twist.

Brian Porter

Brian hails from Six Nations of the Grand River. He has been a business leader for
many years, designing and overseeing the construction of projects for First
Nation communities across Canada and the United States. He has demonstrated
success in designing culturally appropriate projects for these communities and
has worked to maximize the participation of First Nation skills and trades. Two
Row Architect promotes meshing traditional symbols into current building
technology while actively promoting the creative and environmentally conscious
use of building materials.

Alison Stewart

Alison is currently the Senior Advocacy Manager for Cycle Toronto. Her passion for sharing the joy of biking paired with her desire to make Toronto a vibrant cycling city led her to Cycle Toronto as a volunteer since 2013. Her background includes senior leadership roles in the post-secondary sector which saw her develop strategic plans that focused on bilingual programs to support the diverse needs of international and domestic students on the one hand, while also securing funding and developing government and community partnerships on the other. Her work for an Officer of Ontario’s Legislative Assembly saw her advocating for Ontario’s diverse minority Francophone population. She is bilingual (En/Fr) and holds a Master’s in Public Policy, Administration.

With a keen eye, one can find the presence of queer subtext in any street. Bentway Public Space Fellow Jess Misak and Artist Maximilian Suillerot Wilke will guide participants through a treasure hunt to find the language of queer sexuality in urban ecologies. Using the grey nature of The Under Gardiner, the workshop will softly reveal some of the joys of creating queer encounters.

Jess Misak

Jess Misak (They/Them) lives, learns, and makes in Toronto/Tkaronto Canada. Jess is one of the 2022 Public Space Fellows at The Bentway and received a Masters degree in Architecture and an Honors Bachelors of Arts in Architecture and Sociology from the University of Toronto. As a considerate architectural designer and local organizer, Jess’ work visits themes of queer urban public space, housing justice, and communal pleasure.

Maximilian Suillerot Wilke

Maximilian Suillerot Wilke (they/them) is a French-Mexican queer mixed-media artist and cultural worker currently living and working in Toronto. Born and raised in Mexico City, Maximilian began their artistic training in Paris (France) at Les ARCADES. They continued their studies at the University of Toronto where they obtained a B.A (Hons) specialising in Visual Art Studies. Their work touches upon the duality of presence and absence in queer settings. Grief and fiction meld with aspects of personal narrative to reveal a comical discomfort, and rituals are created as coping mechanisms to deal with life.

Food is the heart and soul of a culture. It occupies many spaces of prominence in human lives – nourishment, relaxation, discussion, creativity, and politics, and as a result, it is a major fixture in our public spaces. In this session, Tasha Shea and Howard Tam will facilitate an interactive discussion dedicated to exploring the connection between public spaces, food, culture, diversity, and the street. What role does food play in how we experience public spaces? How has street food evolved in Toronto and how will it inform the city’s future? How does this change the accessibility or inaccessibility of food? How do we honour the cultures they are connected to?

Tasha Shea

Tasha Shea is a Project Manager, with Masters’ in Development Studies with a focus on food economics from York University. She’s worked in the public, non-profit, and private sectors on projects that use the power of food for economic development and community building. She co-founded MixTO Music Festival, project managed The City of Brampton’s first-ever Food Guide, and serves on the Board of Not 9 to 5, a non-profit that advocates for mental health in the hospitality industry. In her free time, Tasha enjoys cooking, food photography, and travelling to the beach to surf.

Howard Tam

Howard is the founder and Foodie-in-Chief of EatMoreScarborough.com tours that offer food tours in and around Scarborough’s amazingly diverse food scene. His interactive tours combine his passion for city building with food by combining eating and cultural stories related to the histories of the dishes. A strategic designer & city builder by day, Howard loves to explore Scarborough & its restaurants in his spare time. Most weekends, you will find him either running another food tour or playing Scarborough Strip Plaza Roulette – randomly picking spots in strip plazas to see what good food comes up! 

With a little imagination, the street can become a canvas for creative intervention. In response to a public artwork by Raquel Da Silva, Farida Abu-Bakare and David Vega-Barachowitz of WXY Studio will lead a participatory conversation around transforming our streets through tactical urbanism, and discuss how public art can be used as a tool for activating the complex, intermingled systems that make-up and share our streets.

Farida Abu-Bakare

Farida Abu-Bakare recently joined WXY as Director of Global Practice in 2022. With over ten years of professional experience, Farida Abu-Bakare was previously a Project Director of Adjaye Associates in Accra, Ghana and an Associate at HOK Architects in Toronto, Ontario, Canada. Prior to joining WXY with focus on urban design, she led the design development of three redevelopment master planning projects in Accra, Ghana. This expertise in urban design led Farida to lead the design development of cultural projects such as the Edo Museum of West African Art (EMOWAA) in Benin City, Nigeria. With her breadth of expertise in healthcare stemming from her eight years at HOK,  Farida led, from concept to construction, 111 hospitals for sites across Ghana as part of the federal government’s Agenda 111 program.

David Vega-Barachowitz

David Vega-Barachowitz joined WXY in 2019. He is a recognized leader in transportation and land use planning and has extensive experience working with cities and public sector clients. At WXY, David leads planning and urban design efforts including the Downtown Davenport Master Plan in Iowa and the Hudson Square Streetscape Plan for the Hudson Square Business Improvement District. David is the former Director of the Designing Cities Initiative at NACTO, where he spearheaded the production of NACTO’s Urban Street Design Guide and Urban Bikeway Design Guide. He also served as Senior Urban Designer at the New York City Department of Planning where he launched the agency’s computational design practice and has worked with NYCHA to create guidelines for infill development and neighbourhood planning. David received a Master of City Planning degree from MIT and Bachelor of Arts degree in Urban Studies with Architecture from Columbia University.

Raquel Da Silva

Raquel Da Silva is a visual artist and designer based in Toronto, Canada. She graduated from OCAD University with a BFA in 2020. Raquel’s work is focused on creating abstract environments and exploring how cultural stories and mythologies are embedded into contemporary culture. Selected exhibitions include Ja Senti, Vai Nascer by PADA Gallery and Residency in Lisbon, Portugal, and An Index presented by Museum of Contemporary Art, Toronto. 

Appointed Commissioner of the Chicago Department of Transportation in 2019, Gia Biagi is charged with implementing a vision for a transportation system that prioritises lowering the economic and environmental burden of mobility on residents and communities, especially for people in poverty, people with disabilities, and people of colour. Gia will bring her expert perspective to The Bentway, invoking an urban dialogue between the streets of Chicago and of Toronto. 

At this Keynote, Biagi will speak to a series of questions and ideas that are pertinent to her work and her vision for the future of city streets. How do we leverage our public infrastructure to do more for the communities residing in the city? How do we make community decisions about what happens to our public realm? How can cities connect their day-to-day tactical work with transformative change? And finally, what are examples of cities that are rethinking and re-imagining their transportation and other infrastructure for new purposes?

Gia Biagi

Gia Biagi is an urban planner and designer with experience in the private and public sectors who was appointed Commissioner of the Chicago Department of Transportation (CDOT) by Mayor Lori E. Lightfoot in December 2019. At CDOT, Biagi and her team are implementing a vision for a transportation system that prioritises equity and mobility and works to lower the economic and environmental burden of transportation on residents and communities, especially for people in poverty, people with disabilities, and people of colour.

As Commissioner of CDOT, she oversees a department responsible for Chicago’s roadways and bridges, sidewalks and bike lanes, the citywide bike share system, traffic signals and signage, streetlights and alleys, the permitting of activities in the public right-of-way, and policies focused on human-centred urban design, climate adaptation, infrastructure equity, and mobility.

Before answering Mayor Lightfoot’s call to return to public service, Biagi was a Principal at Studio Gang Architects, one the world’s leading architecture and urban design firms led by renowned architect Jeanne Gang. At Studio Gang, Biagi developed and led the Urbanism + Civic Impact practice that specialised in urban design, planning, and strategy. The work centred on how to move toward equity, mutuality, and positive change in cities by working with a range of partners including community-based organisations, cultural institutions, developers, government, and other public and private groups and individuals.

Prior to joining Studio Gang, Biagi spent more than a decade in public service, with roles that included Chief of Staff and Director of Planning for the Chicago Park District. Much of her work focused on neighbourhood revitalization through planning, engagement, programs, policies, and capital investments.

Biagi currently serves on the Board of Directors for the National Association of City Transportation Officials (NACTO) and as Vice President of the Board of NeighborSpace, a non-profit land trust that provides community-based management and long-term protection to over 100 urban gardens across Chicago.

Biagi attended the University of Michigan for her Bachelor of Arts degree and has a Master of Urban Planning and Policy from the University of Illinois at Chicago.

The Bentway comes alive to celebrate a dance tradition born from the street during an evening social and community breaking jam. Local Bboy and MC Switch B from The FAM will host Breaking Draft, bringing together the Hip Hop community under the Gardiner. Music and dance will set the mood, while refreshments and other activities invite the public to meet at street level.

Adrian Bernard / BBoy Switch B

Adrian Bernard A.K.A Switch B is one of Toronto’s Top B-Boys and Hip-Hop Arts Educators. Having started dance in 2002, Adrian has travelled to many countries and parts of Canada through Educational, as well as competitive ventures. Through Arts Education, Adrian has taught dance at a number of First Nations Reserves alongside Community Centre’s, High school classrooms, Rehabilitation clinics, halfway houses, and at the Roy McMurtry Youth Centre a Youth Prison. Outside of education Switch B has developed a reputation as a Battle B-Boy. In 2007 his dance crew The Floor Assassins Militia represented Canada in the B-Boy Unit World Finals in Seoul Korea. The F.A.M. has won The House of Paint Hip-Hop festival three times, and Switch B took first place at the Skillz-O-Meter 5 Championships in Montreal back in 2015. Since then Adrian has been dedicated to training and educating the next generation of dancers in Toronto.

Presented by Myseum of Toronto.

How do you build closeness with your city and those you share it with? 

36 Questions That Lead to Loving Toronto: Bentway Edition is a pop up experience that invites Torontonians to explore the commitment we have to the city and to each other. Based on a psychological study by Arthur Aron (and others) and popularized by the New York Times article “The 36 Questions That Lead to Love”, Myseum asks a series of questions that explore civic love. 

Join us at The Bentway to share your answers, while deepening connections with loved ones, friends, and neighbours. 36 Questions: Bentway Edition will feature questions about Toronto streets, as part of The Bentway’s Street Summit. Get deep, have fun, be brutally honest about what you love or hate (and everything in between) about our city streets. Ignite the spark to fall in love with Toronto for the first time, or all over again. 

36 Questions: Bentway Edition is a pop-up version of 36 Questions That Lead to Loving TO exhibition at the Myseum Space (401 Richmond St. W. LL01), on until October 9, 2022. To learn more visit myseumoftoronto.com. 

With a little imagination, the street can become a canvas for creative intervention. In a new public artwork by Raquel Da Silva, and created in partnership with New York-based WXY Studio, we invite you to see our own street anew. Available to view throughout both days of the Summit, this work encourages you to consider the ways in which our streetscape can be transformed through the power of art and creativity.

Raquel Da Silva

Raquel Da Silva is a visual artist and designer based in Toronto, Canada. She graduated from OCAD University with a BFA in 2020. Raquel’s work is focused on creating abstract environments and exploring how cultural stories and mythologies are embedded into contemporary culture. Selected exhibitions include Ja Senti, Vai Nascer by PADA Gallery and Residency in Lisbon, Portugal, and An Index presented by Museum of Contemporary Art, Toronto. 

Presented by National Film Board 

In partnership with the National Film Board of Canada, The Bentway’s Street Summit presents a series of family-friendly short films offering creative, educational, and entertaining views of our streets across space and over time, including how we interact with them and how they shape our cities

This summer at The Bentway Mia & Eric and Action Hero are cutting up Toronto’s entire ‘Municipal Code for the Use of Streets and Sidewalks’ and rearranging the words into a new set of speculative actions, permissions, and proposals for the future of the city. You are invited to rewrite and submit your very own Future Perfect by-law. These new Future Perfect by-laws will appear on billboards around Toronto between May and August.

Learn more at futureperfectbyelaws.com

Live Magazine will be at The Street Summit! Live Magazine is a digital publication by the design studio Frontier, who will attend the event and create multimedia stories about its most stimulating ideas and conversations. Frontier will also become part of the proceedings, building a pop-up space to talk with attendees, gather on-the-spot reactions, and create and sell limited-run objects. Each issue is published online during the event, giving immediate context and insight that becomes a lasting artifact. Come say hi at The Street Summit and add your voice to this issue.

This issue goes live May 27 and will be updated during, and following, the Street Summit. Read it at livemagazine.ca/bentway and learn more about Frontier at frontier.is

Robin Van Lear (Cleveland, Ohio) is a celebrated visual and performing artist and designer, and member of the Moko Jumbie Mas Camp team. Van Lear is known for creating spectacular public parades featuring costumed stilt-walkers, giant puppets, masquerade, and a fusion of international Carnival art practices.

During two public workshops in June 2022, Robin collaborated with residents of The Bentway community to hand-dye the colourful silk banners for display inside the Bentway Studio Atrium and outside on the terrace during the weekend Mas Camp workshops, using the two techniques, the art of Shibori and direct dyeing.

In Japanese, Shibori means “to wring” or “to squeeze”. The art of Shibori is one of the simplest yet most satisfying approaches to resist dyeing. More controlled than Tie-Dye, and with more options, Shibori consists of folding and binding techniques that attain orchestrated patterns of brilliant colours by using cold water and Procion MX dyes. The banners on view were created using three popular Shibori techniques: Konoko (Elastic Bands), Miura (Binding with String) and Arashi (Pole wrapping). The dyeing technique used on the banana banners is a simple process of applying dye directly to the fabric with a brush.

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ABOUT THE ARTIST

ROBIN VAN LEAR

Robin Van Lear migrated in 1990 from California to Cleveland Ohio where she created Parade the Circle Celebration in the Department of Community Arts for the Cleveland Museum of Art and other annual festivals: the Chalk Festival, the Winter Lights Lantern Festival, and the Community Festivals program. These signature events drew an annual attendance of nearly 500,000 people. In her personal practice, Van Lear has designed numerous puppets, costumes, and kinetic sculptures as well as taught at colleges and universities across the USA and internationally. She currently maintains a large studio in Cleveland Heights where she creates installations, costumes, theatrical sets, and giant puppets. 

Join artists and creators Germaine Liu and Mark Zurawinski for an intimate, interactive sound workshop.

Liu and Zurawinski will use playful, group-based games to explore the objects and structure of The Bentway that inspired the composition of And With. Participants will be invited to count, clap, walk, stomp, tap, vocalize and play ball with the artists and each other, using their own bodies, objects, and the very architecture of the Gardiner as percussion instruments. The artists will also speak about their creative process of using found sounds recorded from The Bentway and the surrounding area.

After the workshop (or anytime) you are invited to take a walk and experience the fully curated soundscape of And With, via a self-guided online tour that brings the audio world of The Bentway to life. You can access the soundscape and map below.

The duration of the workshops is 30 minutes in length with a maximum capacity of 15 participants per workshop. Curious parties of all ages and abilities are invited to join. This is a rain or shine event, so please dress appropriately!

And With Soundscape

The Timber Amphitheatre

The theatre as an instrument. Hidden sounds from the nooks and crannies of the space brought to life – the clack of wooden seating, bass tones of metal railings, the squeal of scraped glass, accompanied by the roar of traffic.

 

The Wharf

Chime calls from cascaded railings of the once-upon-a-time dock.  A distillate of chromatic sounds from inner piano strings that reveal a deep longing for the shoreline of the distant past. The lake leaves a fluid imprint acknowledged by the ears.

The Splash Pad

Water spouts activate the quiet intimacy of everyday objects, alongside a chorus of gurgles, sputters, and pitter patter.

The Landing

Cement framework, container of negative space, air passing through, revealed under the crumblings of saltworks. Metal conduit pipes hold a secret world of tones, textures, like the traffic, coming and going.

The Canon

A clamorous canon of words.  A gentle slam-poetry mashup of text from the Bathurst and Fort York intersection, mixing slow-mo mode VHS tape, gregorian-chant-esque melismas, mingling with a spoken excerpt from Margaret Atwood’s poem The Planters (read from the Fort York branch library exterior).

The Playground

A percussive playground under the expressway. The built environment becomes an exploded drum set of lamppost snare drums, parking barrier bass drums, and singing metallic harmonics. 

The Rocks

An everyday rock concert older than music for attentive ears and passers-by, honouring the sounds ranging from tiny raindrop-sized pebbles, to avocado-sized stones. Tapping, scraping, thumping over a bed of the swooshing expressive-expressway.

Canoe Landing Park

A gathering of different groups at play. A vibrant reflection of the sounds of community, intersecting rhythms of musical tag, hand clapping, basketball against pavement come together to paint a colourful sound parade.

Scroll sideways to explore!

About the Artists

Germaine Liu

Germaine Liu (b. Hong Kong) is a scenario-maker and percussionist based in Tkaronto. Liu is interested in exploring and sharing things she finds joyful in collaborative settings, with hopes that participants are open and willing to participate. She loves tactile, movement, sonic, and physical explorations of found objects and percussion.

Scenarios she composed include: Still Life, a 45-minute sounding installation for found objects; Puzzle Piece for prepared violin; Water Music, pieces for water and found objects; See and Draw exploring live-interactive notation with open instrumentation ensemble; Quarantine Playground, co-composed with Joe Sorbara using Zoom Video Communications Software as the score; and UnDrum-set Solo for Duo with collaborators – Susanna Hood, Bea Labikova, Stacy Lee, Elysha Poirier, and Mark Zurawinski.

Liu is also a co-founder and co-curator along with Parmela Attariwala and Nicole Rampersaud for Understory, a web-based, inter-provincial series dedicated to showcasing improvising artists working across Canada, and to building a network between the artists and their audiences.

In addition to her interest in sounds/movement/touch, she also makes jewellery as handmade by germaine.

MARK ZURAWINSKI

Mark Zurawinski is a Toronto-based percussionist, improviser, and sound designer with an eclectic palette, and fondness for left field music, which takes him to interesting and diverse sonic places – from contemplative chamber music to free-jazz freak outs, minimalist groove to digital noise. Mark is inspired by the tangibility of sound and has a keen interest in exploring the fluidity of texture and time, and the space where composition and improvisation meet.

A regular collaborator as a percussionist and sometimes band-leader in Toronto’s vibrant creative music scene, over the course of the pandemic Mark has been deepening his engagement with sound in the digital domain, focusing his attention on audio post-production and sound design for dance, theatre, and multimedia projects through collaborations with Understory, MOCA, UnDrum Festival, Indoor Jogging, Canadian Creative Music Network, and partner Germaine Liu.

On May 27th & 28th, 2022, The Bentway’s season kicked-off with The Street Summit, a two-day event hosted at The Bentway’s Strachan Gate that challenged traditional understandings of city streets and asked how we can create a more inclusive, equitable, and joyful public realm.

Equal parts conference, workshop, artistic intervention, and celebration, this free public event assembled local and international neighbours, urbanists, designers, researchers, city-builders, and artists alike to collectively explore familiar arteries and their potential for broader social, cultural, and political transformations. 

Panels, presentations, and performances featured guests including: “Hip Hop Architect” Michael Ford; the Commissioner of Chicago Department of Transportation, Gia Biagi; a creative partnership with New York-based WXY Studio; Dane Gardener-Williams; Hayden King; Susan Blight; Adam Nicklin of PUBLIC WORK; a panel discussion on the renewal of our city’s streets presented in partnership with Doors Open Toronto; and a social event on Friday night featuring a hip hop/breaking battle with MC Switch B.

Interactive and drop-in workshops for participants of all ages included a pop-up exhibition of Myseum of Toronto’s 36 Questions That Lead to Loving Toronto; an exploration of the various flavours of street food across the city led by Tasha Shea and Howard Tam; a participatory roundtable focused on community care and mutual aid, led by Chemi Lhamo and Miru Yogarajah; a facilitated conversation on the subtle language of queer sexuality in urban ecologies guided by The Bentway Public Space Fellow Jess Misak and artist Maximilian Suillerot Wilke; and a workshop that unravels the processes and tools that define street and place-names, led by Bespoke Collective and The Bentway Public Space Fellow, Faizaan Khan.

ASL interpretation was provided by Toronto Sign Language Interpreter Service.

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As part of ArtworxTO

Live Magazine is a project by Frontier, a Toronto design studio, that offers smart distillations of stimulating gatherings.

Each issue gives readers insight into an event’s most powerful ideas and conversations. This issue takes place at The Bentway Street Summit where we take to streets and public spaces to think with others about city life.

PHOTO GALLERY

In a growing city such as Toronto, scaffolds are a ubiquitous feature of the urban environment. WEEPING CONCRETE is a site-specific project for a trio of performers across two towering scaffolds; asking us to reflect on the streets as we know them and imagine what they might be.

“Sistering” is a construction term for the act of placing supports on either side of a beam to add stability. In WEEPING CONCRETE, the three performers, including artist Hazel Meyer, animated this makeshift, temporary architecture as it “sistered” one of the concrete bents holding up the Gardiner Expressway. Borrowing from activist aesthetics, athletic tropes, and consumer advertising practices; the performers unfurled banners, engaged objects, and introduced elements of queer joy in an ongoing conversation with one another, and the audience. Through these actions, WEEPING CONCRETE presented a reflection on intimacy, interdependence, and infrastructure.

Performed by Moe Angelos, Leah Klingbyle, and Hazel Meyer.

Commissioned by The Bentway Conservancy.

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About the Artist

PHOTO: Cait McKinney

Hazel Meyer is an artist who works with installation, performance, and text to investigate the relationships between sexuality, feminism, and material culture. Her work recovers the queer aesthetics, politics, and bodies often effaced within histories of infrastructure, athletics, and illness.

Recent activations of her work have taken place at La Ferme du Buisson (FR), Glasgow International Art Biennial (SCT), Dunlop Art Gallery (CA), Progress Festival (CA), Porn Film Festival Berlin (DE), and Contemporary Copenhagen (DK). Hazel presently lives and works on the stolen and unceded territory of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations.

Since its earliest known historical appearance in 1791 in St. Vincent, the masquerade (mas) character known as Moko Jumbie has enchanted and frightened people throughout the Caribbean and its diasporas. With a mesmerising spectacle of balance and regalia, the guardian spirit both protects and participates in the Carnival street festivities. As a protector, Moko Jumbie is a reminder that playing mas is rooted in resistance to colonial oppression and Euro-centric religiosity. As a participant, Moko Jumbie is an expression and celebration of emancipation and freedom.

Generations of practitioners have continued this West African masquerade tradition in Afro-Caribbean communities worldwide, and, famously, here in Toronto, where Carnival has had a long relationship with the streets of our city. From its beginnings on Bloor, Yonge, and University to its current route along Lake Shore, each summer Carnival brings the Caribbean-Canadian community together ‘pon de road’ along with the rest of the city, to celebrate joy and liberation.

This summer, as we welcome Carnival back to the streets of Toronto, Michael Lee Poy’s Moko Jumbie Mas Camp will take over The Bentway Studio at Canoe Landing in June and July, offering a free series of youth-centred workshops in costume-making, stilt-walking, and more. The workshops will be led by local and international artists.

The Mas Camp uses indigenous Afro-Caribbean masquerade practices to promote collaborative learning environments, team building, and leadership training for young people ages 10+ and their parents. The workshops, along with regular stilt-walking practice, will enable students to balance, dance, and comfortably wear regalia for a grand finale parade in and around Canoe Landing Park on Sunday, July 17.

Registration is now closed for this free, multi-day training camp.

SUPPORTERS

Moko Jumbie >> Events

Moko Jumbie Parade

Michael Lee Poy

Join Michael Lee Poy, the Moko Jumbie Mas Camp artists, camp participants, and their families for a jubilant community Carnival …
More Details

Moko Jumbie Shibori & Direct Dyeing Workshop

Robin Van Lear

Join visual and performing artist and designer Robin Van Lear (Cleveland, Ohio) for a silk-dyeing workshop and help her create …
More Details

Moko Jumbie Street Furniture

Michael Lee Poy

The Moko Jumbie theatre and seating designs are inspired by the mathematical shape vesica piscis otherwise known as mandorla (pointed …
More Details

About the Artist

Michael Lee Poy is an Assistant Professor at OCAD University and an Afro-Caribbean artist/designer/activist/architect from Trinidad and Tobago and Canada. His practice and interests are centred on post-colonial Caribbean design and fabrication in the festival arts – especially Carnival. A graduate of Pratt Institute of Technology in architecture (B. Arch.) and the Yale Graduate School of Architecture, Environmental Design (MED), Michael aims to use interdisciplinarity to augment the innovative, creative, and collaborative process of design. For the past five years, Michael has been incubating the Moko Jumbie Mas Camp workshops for children aged 7-17. The masquerade (mas) camps are designed and implemented as socially conscious design/build and fabrication/studio/lab workshops.

Follow Michael Lee Poy on Instagram.

Join Michael Lee Poy, the Moko Jumbie Mas Camp artists, camp participants, and their families for a jubilant community Carnival parade centering balance, regalia, joy, and emancipation – traveling along the sidewalk around Canoe Landing Park.

Since its earliest known historical appearance in 1791 in St. Vincent, the masquerade (mas) character known as Moko Jumbie has enchanted and frightened people throughout the Caribbean and its diasporas. With a mesmerising spectacle of balance and regalia, the guardian spirit both protects and participates in the Carnival street festivities. As a protector, Moko Jumbie is a reminder that playing mas is rooted in resistance to colonial oppression and Euro-centric religiosity. As a participant, Moko Jumbie is an expression and celebration of emancipation and freedom.

Generations of practitioners have continued this West African masquerade tradition in Afro-Caribbean communities worldwide, and, famously, here in Toronto, where Carnival has had a long relationship with the streets of our city. From its beginnings on Bloor, Yonge, and University to its current route along Lake Shore, each summer Carnival brings the Caribbean-Canadian community together ‘pon de road’ along with the rest of the city, to celebrate joy and liberation.

This summer, as we welcome Carnival back to the streets of Toronto, Michael Lee Poy’s Moko Jumbie Mas Camp will take over The Bentway Studio at Canoe Landing for six weeks in June and July, offering a free series of youth-centred workshops in costume-making, stilt-walking, and more. The workshops, led by local and international artists, will culminate with a jubilant community Carnival parade.

SUPPORTERS

Moko Jumbie >> Events

Moko Jumbie Mas Camp

Michael Lee Poy

In celebration of Carnival’s long relationship with the streets of Toronto, artist, educator, designer and architect, Michael Lee Poy leads …
More Details

Moko Jumbie Shibori & Direct Dyeing Workshop

Robin Van Lear

Join visual and performing artist and designer Robin Van Lear (Cleveland, Ohio) for a silk-dyeing workshop and help her create …
More Details

Moko Jumbie Street Furniture

Michael Lee Poy

The Moko Jumbie theatre and seating designs are inspired by the mathematical shape vesica piscis otherwise known as mandorla (pointed …
More Details

About the Artist

Michael Lee Poy is an Assistant Professor at OCAD University and an Afro-Caribbean artist/designer/activist/architect from Trinidad and Tobago and Canada. His practice and interests are centred on post-colonial Caribbean design and fabrication in the festival arts – especially Carnival. A graduate of Pratt Institute of Technology in architecture (B. Arch.) and the Yale Graduate School of Architecture, Environmental Design (MED), Michael aims to use interdisciplinarity to augment the innovative, creative, and collaborative process of design. For the past five years, Michael has been incubating the Moko Jumbie Mas Camp workshops for children aged 7-17. The masquerade (mas) camps are designed and implemented as socially conscious design/build and fabrication/studio/lab workshops.

Follow Michael Lee Poy on Instagram.

Arriving in Toronto for the first time after being performed in more than a hundred cities worldwide, Bodies in Urban Spaces is a moving trail choreographed for a group of local dancers.

The colourfully-clad performers use their bodies to explore, and respond to, the city’s architecture, leading audiences on a breathtaking tour through Toronto’s streets. As passersby join in, the collective experience grows, setting in motion a chain of temporary physical interventions. Performers’ bodies, entangled with one another, are tucked into the gaps between buildings and stacked on stairways, evoking awe and disbelief, and inspiring the viewer to perceive a familiar place in a new and different way – on the run.

Dorner’s work creates unexpected interventions in the urban environment that highlight the unique nooks, niches, and crannies of our streets and alleyways, that are often overlooked. Bodies in Urban Spaces also points to the ways our movement and behaviours are restricted in public space. By playfully misusing public space, the performance invites us to reflect on our relationship to public space, and who and what it is for.

Bodies in Urban Spaces was originally commissioned by Festival “Quartier d’été” / Paris.

PERFORMANCE DATES

» Thursday, May 26 at 7:00pm
» Friday, May 27 at 7:00pm
» Saturday, May 28 at 2:00pm & 7:00pm

SUPPORTERS
City of Vienna
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About the Artist

Willi Dorner lives and works in Vienna, where he develops his artistic works, which go on international tour. His projects include pieces for the stage, site-specific performances, and installations. Willi Dorner is also active in the field of short films, visual arts, and stage photography. Most works are created in collaboration with artists and scientists from various fields.

Besides his internationally touring dance performances, Willi Dorner is keen on creating events that give the audience the opportunity for new experiences, insights, and a different perception of everyday life.

Choreographic Assistant: Esther Baio

Participating Dancers: Andy Wang, Amelia Ehrhardt, Barbara Simms, Bradley Eng, Eilish Shin-Culhane, Jayson  Collantes, joey eddy, Kaelin Isserlin, Karissa  Fyrrar, Krista Newey, Libby Sparks, Liisa Smith, Mandy Lam, Maria Riano, Mary Patsiatzis, Matthew Morales, Rumi Jeraj, Sofia Ontiveros, Tavia Christina, Zachary Bastille

And With (as dreamed up by Germaine Liu) is a sound walk that invites audiences and passersby to experience the sounds and textures of The Bentway, the streets nearby, and the rumbling urban artery above like never before.

Join Germaine Liu and Mark Zurawinski, the Imaginary Percussion Ensemble, The Element Choir, and the mysterious leader of this procession who is known simply as “The Wizard”, on a sonic journey along the Gardiner corridor that explores The Bentway site, the streets of CityPlace, and The Bentway Studio at Canoe Landing.

Listen as a group of percussionists activates the voices of everyday structures, objects, and spaces by tapping into the physical potential of materials along the walk; the clang of metal, the crinkling of plastic, the hollow boom of concrete. Experience a choir of vocalists amplifying the soundscape of the street, echoing the roar of traffic, construction, and people who activate these spaces on a day-to-day basis. And With invites you to activate your listening and engage with the streets together in creative new ways.

Coexisting and travelling with the performers will be a mobile sound installation designed and curated by Zurawinski, featuring field recordings in and around The Bentway site.

Performance Dates

» Saturday, June 25 at 1:00pm
» Sunday, June 26 at 1:00pm

Workshop Dates

» Thursday, June 30 at 6:00pm
» Thursday, June 30 at 6:45pm
» Thursday, June 30 at 7:30pm

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And With Soundscape

The Timber Amphitheatre

The theatre as an instrument. Hidden sounds from the nooks and crannies of the space brought to life – the clack of wooden seating, bass tones of metal railings, the squeal of scraped glass, accompanied by the roar of traffic.

 

The Wharf

Chime calls from cascaded railings of the once-upon-a-time dock.  A distillate of chromatic sounds from inner piano strings that reveal a deep longing for the shoreline of the distant past. The lake leaves a fluid imprint acknowledged by the ears.

The Splash Pad

Water spouts activate the quiet intimacy of everyday objects, alongside a chorus of gurgles, sputters, and pitter patter.

The Landing

Cement framework, container of negative space, air passing through, revealed under the crumblings of saltworks. Metal conduit pipes hold a secret world of tones, textures, like the traffic, coming and going.

The Canon

A clamorous canon of words.  A gentle slam-poetry mashup of text from the Bathurst and Fort York intersection, mixing slow-mo mode VHS tape, gregorian-chant-esque melismas, mingling with a spoken excerpt from Margaret Atwood’s poem The Planters (read from the Fort York branch library exterior).

The Playground

A percussive playground under the expressway. The built environment becomes an exploded drum set of lamppost snare drums, parking barrier bass drums, and singing metallic harmonics. 

The Rocks

An everyday rock concert older than music for attentive ears and passers-by, honouring the sounds ranging from tiny raindrop-sized pebbles, to avocado-sized stones. Tapping, scraping, thumping over a bed of the swooshing expressive-expressway.

Canoe Landing Park

A gathering of different groups at play. A vibrant reflection of the sounds of community, intersecting rhythms of musical tag, hand clapping, basketball against pavement come together to paint a colourful sound parade.

Scroll sideways to explore!

About the Artists

Germaine Liu

Germaine Liu (b. Hong Kong) is a scenario-maker and percussionist based in Tkaronto. Liu is interested in exploring and sharing things she finds joyful in collaborative settings, with hopes that participants are open and willing to participate. She loves tactile, movement, sonic, and physical explorations of found objects and percussion.

Scenarios she composed include: Still Life, a 45-minute sounding installation for found objects; Puzzle Piece for prepared violin; Water Music, pieces for water and found objects; See and Draw exploring live-interactive notation with open instrumentation ensemble; Quarantine Playground, co-composed with Joe Sorbara using Zoom Video Communications Software as the score; and UnDrum-set Solo for Duo with collaborators – Susanna Hood, Bea Labikova, Stacy Lee, Elysha Poirier, and Mark Zurawinski.

Liu is also a co-founder and co-curator along with Parmela Attariwala and Nicole Rampersaud for Understory, a web-based, inter-provincial series dedicated to showcasing improvising artists working across Canada, and to building a network between the artists and their audiences.

In addition to her interest in sounds/movement/touch, she also makes jewellery as handmade by germaine.

MARK ZURAWINSKI

Mark Zurawinski is a Toronto-based percussionist, improviser, and sound designer with an eclectic palette, and fondness for left field music, which takes him to interesting and diverse sonic places – from contemplative chamber music to free-jazz freak outs, minimalist groove to digital noise. Mark is inspired by the tangibility of sound and has a keen interest in exploring the fluidity of texture and time, and the space where composition and improvisation meet.

A regular collaborator as a percussionist and sometimes band-leader in Toronto’s vibrant creative music scene, over the course of the pandemic Mark has been deepening his engagement with sound in the digital domain, focusing his attention on audio post-production and sound design for dance, theatre, and multimedia projects through collaborations with Understory, MOCA, UnDrum Festival, Indoor Jogging, Canadian Creative Music Network, and partner Germaine Liu.


About the Performers

Photo by Raphael Roter

Bea Labikova

Bea Labikova is a Slovak-Canadian saxophonist and improviser whose music traverses free improvisation, avant-garde, modern jazz and Slovak folk music. You can find her exploring and playing across genres as part of many new music ensembles and ad hoc projects (Future Proof, Lila Ensemble) as well as the avant-jazz group Triio or the contemporary afrobeat band Asiko Afrobeat Ensemble. In her solo project, Mt. Joy, Bea couples wind instruments with electronic processing, creating spacious sounds that reflect the arctic tundra where she travels regularly. Bea is the co-founder, visual artist, and one-half of the driving force behind the Women From Space Festival.

Photo by Leah Takata

Aki Takahashi

Aki Takahashi is a Japanese traditional shamisen player and folk singer. She studied traditional folk music in Kyoto, and has given shamisen and vocal performances at numerous venues and events. Since arriving in Canada, Aki has furthered her pursuit of traditional Japanese music with the addition of taiko drumming. Now Associate Artistic Director with pre-eminent Canadian taiko drumming group Nagata Shachu, and a shamisen and voice instructor at the Bachido Schoolhouse: International Shamisen Community online. She is also the founder of the Japanese folk ensemble “ten ten”, which has released four albums of original music and has performed with numerous artists from a variety of other cultural backgrounds and traditions.

Photo by John Lauener

Bee Pallomina

Bee Pallomina is a dance artist living and working in Toronto/Tkaronto. Her practice includes movement, care, and the everyday. She is an artist, educator, and mom.

Photo by Artist

Brenda Joy Lem

Brenda Joy Lem practices multiple artistic disciplines, including visual art, writing, taiko, and improvisational music, which support and broaden the possibilities of one another., and along with cooking, gardening and herbal medicine create a whole way of being.

Her solo shows include Museum London, The Richmond Art Gallery, The Robert McLaughlin Gallery, Museum of Chinese in the Americas in New York City, and the Mississauga Art Gallery.  Her films have played at TIFF, Ann Arbor FF, Images FF, and other North American Film Festivals.  Her works are included in the collections of the National Library of Canada, the Walter Phillips Gallery, Banff, the University of Michigan, and the San Francisco Art Institute, among others.  She has played taiko for over 35 years and is the artistic director of Inner Truth Taiko Dojo.

Photo by Artist

Fahmid Nibesh

Fahmid Nibesh is a guitarist and audio technician who works with the guitar as a sound sculpture without overlooking its traditional functions. He has performed solo and in ensembles throughout Toronto’s improv scene since 2016. When he’s not playing, he’s busy diving into architectural acoustics and instrument construction as applied physics. Currently, he resides in Scarborough where he is studying Precision Building (Machining) at Seneca College

Photo by Jill Parsons

Joe Sorbara

Canadian drummer and percussionist Joe Sorbara has spent more than two decades developing a reputation as an imaginative and dedicated performer, composer, improviser, organiser, writer, and educator. A consummate sonic adventurer, Sorbara’s music draws from a vast array of influences. He is equally comfortable playing jazz, freely improvised music, indie rock, and chamber music, but most at home playing them all at the same time. He has performed and recorded with Ken Aldcroft, Jared Burrows, Anthony Braxton, Nikita Carter, Paul Dutton, François Houle, Germaine Liu, Evan Parker, Allen Ravenstine, Clyde Reed, and Friendly Rich, among many many others.

Photo by Mickle Lynn

Laura Swankey

Canadian vocalist and improviser, Laura Swankey is dedicated to exploring the full capacity of her voice. Her solo work with voice and electronics sets simple, earnest melodies and stories over top of lush soundscapes and bizarrely textured grooves. Sound that is ethereal and minimalist at some moments, can be dense, raw, and abrasive at others. Laura also creates and presents with Mike McCormick’s Proxemics, Elisa Thorn’s HUE, Jazz Bras Dot Com, Dr. Purgatory, and Plastic Babies. She teaches at the University of Toronto and Humber College in their respective contemporary music departments, and is currently completing a master’s in counselling psychology.

Photo by Bea Labikova

Lieke van der Voort

Composer and vocalist Lieke van der Voort’s work focuses heavily on improvisation, physical theatrical gesture, and vocal use. Lieke frequently uses her own text, confronting the emotional-psychological impact of ongoing social issues. She has been commissioned by Soundstreams, Continuum Contemporary Music, Jumblies Theatre, Cheryl Duvall, Émilie Girard-Charest, Amplified Opera, Thin Edge New Music Collective and others. 

She leads and vocalises in Kontraband Kollektif, an art music collective, with its debut EP “Atropos” having been released in January 2018. Her voice can also be heard in multiple Toronto-based projects as well as Veryan Weston’s “Make”; soundtracks of movies “The VVitch”, “Clara”, Tumbbad, and “In the Tall Grass” and various Tanya Tagaq shows with Christine Duncan’s Element Choir.

Photo by Laura Gillis

Michelangelo Iaffaldano

Michelangelo Iaffaldano lives and works in Toronto. He is active in drawing, painting, puppetry, theatre, and in both traditional and experimental music as a singer, multi-instrumentalist, composer, and instrument inventor.

Photo by meg moon

Mingjia

Beijing-birthed, Toronto/LA-dwelling vocalist-composer-improviser Mingjia writes music that’s equal parts fantastical and relatable. She is mother to chamber ensemble Tortoise Orchestra, and synth-pop duo uoou. She also composes for and is a member of both the post-punk band Pleasure Craft and GRAMMY award-winning vocal ensemble Roomful of Teeth. She has made music with Pamela Z, Wild Up Ensemble, GREX, Andrew Yee (of Attacca Quartet), James Fernando, the science of what?, Juliet Palmer, Christine Duncan, and many more. She has performed at various venues and festivals across Canada, China & the U.S, and has produced four releases as a bandleader.

Photo by Chris Hutcheson

Stephanie Chua

Stephanie Chua is an expressive and versatile Canadian pianist, devoted to presenting and performing contemporary works through musical insight and innovative programming. She has been broadcasted across Canada on CBC Radio 2, and in Europe on Rondo Classic FM. She has also performed in solo and chamber recitals across Canada, Europe and Asia. Her recent highlights include being a featured performer in Soundstreams’ sold-out season opener Six Pianos at Koerner Hall in Toronto, and solo recitals at SOUL Live Music Project in Ho Chi Minh City in Vietnam in partnership with Saigon Classical, New Music Edmonton, and Music Toronto’s Discovery Series.

Photo by Bea Labikova

Raphael Roter

Raphael Roter is a percussionist based out of Toronto who specialises in music for contemporary dance, free-improvisation, and afrobeat. He has composed music for  Sahara Morimoto, Aeris Körper,  Morgan Stasiewicz, and The Toronto Music Gallery. He plays drums with the afrobeat band Asiko Afrobeat Ensemble, with the avant groove band Future Proof and with the progressive folk band Alluvial Plain. He has played and recorded with Doug Tielli, Adam Rudolf, Meliani Brulee, Trisha Foster, and Aline Morales, among others Raphael also works as a dance accompanist and is the curator for the monthly music and dance improvisation event Coexisdance.

Heather Saumer

Heather Saumer is an improviser, composer, collaborator, trombonist, singer, mover, thinker, walker, and noticer of subtle things. She loves performing and collaborating within and between the realms of open improvisation, new/contemporary music, performance art / site-specific installations, jazz, folk, rock, pop, and in collaboration with movement and visual art forms. She teaches in her private studio, and leads workshops and clinics. She is a certified Tuning Fork Therapist, Yoga Nidra instructor, is studying Gestalt psychotherapy, and lives off-grid in rural Ontario.

Christine DuNcan

A musical chameleon, Christine Duncan uses her voice as an instrument, in a wide range of diverse musical styles. She performs with many musical groups and projects, notably with Hugh Fraser’s VEJI (Vancouver Ensemble of Jazz Improvisation) since the mid 1990’s, and Barnyard Drama with drummer/electronic artist Jean Martin, since 2002, and is part of the Barnyard Records family.

She created and directs the Element Choir, an improvising choir in Toronto, active since 2007. Christine and the Element Choir have been performing with inuit throat singer/experimental vocalist Tanya Tagaq since 2014, and she performs with Tagaq on voice and theremin as well. An active educator, Duncan has been teaching in the jazz programs at Humber College and the University of Toronto since 2003.